That’s the real story. The general public won’t hear about most lobby groups until they make the news because lobby groups are not in business with the general public.
Yeah they do. If the accountant says the producer has X money to do something, then that's it. The producer will need to ask for more.
This is how it works everywhere. This is why it's so fucked up when you see companies with a higher budget for new hires than for keeping the staff. I can assure you that one or more accountants filled out an excel sheet and it has to track.
Uh, no it's not. Producers are in charge of getting more money and representing the interests of the investors. They take orders from investors. They only hire accountants to count revenues and expenses.
Accountants are just human calculators. They literally just count. They don't make any decisions unless they're asked very specific questions like "how much revenue do we expect in the next quarter?" Or "how much money would it cost to do x, y, and z?"
Do you blame your calculator if you spend too much money? Or do you blame your bank if your account has no money in it? That's crazy.
I’ve heard once a quite from a fellow, he had mentioned something to the effect of “brevity, or saying something concisely, seems to me to be the essence of what one would describe as simultaneously humorous and intelligent when presented as an idea.”
I'd thought "Bipartisan" mean "we accept people from both side and we literally couldn't care" and not "woah mate you can't say something that would hurt the other side", and "uniting people across the political spectrum" mean "let's separate art and politics for this award" and not "you're not allow to publicly said something politically charged outside of the event".
Yeah, they're statement is highly suspect, like anyone going "there are bad people on both sides", and I'd be very interested to see where their funding comes from and who sits on their board because "actor says something political" is hardly uncommon but their reaction is weird.
And if we are lucky we'll all each reach a point in our lives where most everyone we ever knew is dead and we're there just.. hanging on.
Sometimes I think about the perspective of my 80 year old neighbors. Every day could be their last. I suppose the world would be a better place if everyone of all ages realized how fragile and fleeting this life is.
Every day could be anyone reading this final day. If you didn't read my comment you're safe though.
My grandma is 101 now and it's crazy the life she must be living. All her friends are dead. Her husband died 45yrs ago. Her siblings are all dead. She's essentially outlived any peer she's ever had, which is depressing to think about
What I'm trying to say is, depends on what you consider lucky
Thinking about how Adam Sandler figured out how to get paid millions to go on vacation with his buddies by recording some of the worst shit ever conceived for barely any money.
Thank you. You're not there because you're winning an Oscar, you're there to make a quick buck and have a bit of fun while you do it. Cate Blanchett I guarantee didn't go into Thor because she thought it was going to be some revolutionary experience.
It's a bad example anyway because that CGI is really bad even for the time. I was watching Stargate the other day, and even that movie has better CGI and it's older.
It helps that Stargate could get away with stuff that that would have to be done by VFX now. They had underpaid extras suffering heatstroke when these days some of the budget would've been used for digital crowds.
The other effects were somewhat standard rotoscope energy blasts and compositing the water effects.
What a joke. Have your seen the list of awards De Niro has won? It's anyone looking at that and thinking, "Well, sure, but where's the NAB Service to America award?"
A spokesperson said the event at which the actor would have received the prize “is proudly bipartisan, uniting those from across the political spectrum to celebrate the impactful work of local broadcasters and our partners”.
Sounds like some shit he didn't really want anyway. Fuck being proudly bipartisan, be anti-fascist.
"Was able to establish a wide broascast data link through the planetary communication system" is such a fancy way to say "got viral on a tik-tok livestream" which would be the most likely outcome
I just felt the jokes landed differently when they are written by committie. They didnt have much teeth and they werent punching up as much, they were making fun of mundane things like alchoholism... (Which is now considered a mental health problem, less of a societal one)
Some legacy sequels have turned out alright, so it's not impossible. I just have to hope that Mel wouldn't do it unless it was worth doing, he's got a pretty good track record.
With Mel Brooks himself producing, there is any chance whatsoever. He's almost old enough to run for senate so I don't know how active he's going to be, and, well...he's got a 20th century sense of humor.
I mean yeah yeah Blazing Saddles has a lot of racism in it because the thesis statement is "This is what racism looks like. It's pretty dumb, huh?" But go watch History of the World Part 1 again. It's funny but you'll involuntarily say "holy shit" a few times.
Spaceballs specifically...it was largely a parody of the first two Star Wars movies. It came out after Return of the Jedi but I'm struggling to think of anything referenced from that movie. And Star Wars was a PHENOMENON in the 80's, it had the culture's attention. Star Wars is of waning popularity right now because Disney ran the wheels off of it. Do you attempt to pick up where Spaceballs left off, or do you attempt to parody modern Star Wars?
And, is Hollywood at large capable of making a comedy movie anymore? They haven't done it in 25 years since the release of Galaxy Quest. Can modern actors deliver an actual goddamn joke that isn't just a pop culture reference?
Louis-Dreyfus’ interview with Kara Swisher followed her profile in The New York Times from earlier this month in which she made headlines for saying it’s a “red flag” when comedians complain about political correctness. While she never mentioned her “Seinfeld” co-star Jerry Seinfeld by name, her interview was published soon after he went viral for blaming the “extreme left and P.C. culture” for killing TV comedy because “people [are now] worrying so much about offending other people.”
“To have an antenna about sensitivities is not a bad thing,” Louis-Dreyfus told The Times. “It doesn’t mean that all comedy goes out the window as a result. When I hear people starting to complain about political correctness — and I understand why people might push back on it — but to me that’s a red flag, because it sometimes means something else.”
And for Seinfeld, of all people, to say something that is so... dumb.
It's Always Sunny in Philadelphia is essentially Seinfeld on crack. You have a cast of bad people with little redeeming qualities who are actively becoming worse people. And it's a massive hit that's been running longer than Seinfeld's own show.
In addition, what the hell, man? You are the cleanest, most white bread standup I've ever seen. I paid to see you do a ten minute bit on raisins that killed. You do not DO edgy comedy, so shut the fuck up.
And let's not forget about the guy who made the Seinfeld show what it was had an amazing run with his own show Curb your enthusiasm.
Not quite as spicy as Always Sunny but certainly had more punch that Seinfeld.
The common thread is it is hilarious to make the terrible people the butts of the jokes, not the minorities. It also helps running with some aspects as a joke (Mack's closeted gay in Sunny) and having them pay out emotionaly.
Being gay is not the joke like before "PC", the repression of it, the forced toxic masculinity is. But I guess that's a bit harder than kicking down so some conservative comedies are just crying they can't just do it like before.
Since when was comedy, especially edgy comedy, about doing the same thing as before? What happened to pushing the envelope?
Who wants the hear the same tired old jokes? Innovate or make space for new voices.
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