inogart , to random Spanish
@inogart@mastodon.art avatar

Otto is not having a very nice day and the future looks uncertain.

Illustration. Otto is having a tarot card reading that doesn't look promising. We see him leaning heavily on the table with one hand in his hair and a worried expression. There are candles at both sides of the table, the only source of light illuminating various quartz and trinkets on the table. Behind Otto is a very dark background with red ghostly apparitions looking over his shoulder.
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    • + womensart
    eupwh0ric , to random
    @eupwh0ric@mastodon.social avatar

    @Curator

    This sketch is heavily influenced by an illustration found in 'The Smart Set' magazine, originating around 1923 or perhaps earlier (my memory's a bit fuzzy!). It not only nods to the artistic style and themes of that era but also incorporates a touch of my usual style and usual goofy execution, adding a playful twist to the homage. 😄

    kotartist , to random
    @kotartist@mastodon.art avatar

    let the first post be green 🍏

    a person with glowing eyes hiding behind big leaves and plants
    a woman sitting on the ground with high green stalks and leaves behind her

    TheWeeOwl , to random
    @TheWeeOwl@mastodon.art avatar

    A recent oil pastel painting that is now available in my art shop.
    I'm trying some new hashtags on this post, no idea if this will make any difference or not, but maybe I will pick up some new followers, got to try...
    https://theweeowlart.etsy.com/listing/1716632957

    csilverman , to random
    @csilverman@mastodon.social avatar

    A desolate street winds through an abandoned town at night. The road looks bumpy and uneven, and curves among abandoned apartment blocks and a factory with a tall smoke stack. It is mostly dark; the scene is illuminated only by a full moon. The sky looks partly cloudy. In the sky, directly to the right of the moon and a little above it, is a witch on a broomstick.
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    • + loren
    gwenn , to random
    @gwenn@mastodon.art avatar

    in 2011, I finished this painting of a dear. I do so love coming across these creatures in the woods. Prints and pretty things: https://www.redbubble.com/shop/ap/11180005

    csilverman , to random
    @csilverman@mastodon.social avatar

    lea_muna , to random French
    @lea_muna@imaginair.es avatar

    Didn't draw for a few days... I was busy renovating another piece in my house. Back to work, now !

    TamzinCavendish , to random
    @TamzinCavendish@mastodon.art avatar

    I need to raise a little bit of money as quickly as possible to get my shop up and running again after a very rough start to the year, so I’m going to be posting all the work I have for sale in this thread, one post per day.

    DM me to buy of if you have any questions 😊

    I also have my work on T-shirts/hoodies/tote bags etc. 👇

    https://tamzin-cavendish.myspreadshop.co.uk/

    It all helps!

    Also if you feel like you want to boost any of the posts, I really appreciate it 🖤

    (See thread for artworks 👇)

    TamzinCavendish OP ,
    @TamzinCavendish@mastodon.art avatar

    First up is this original ink illustration using high quality, lightfast black ink on Bristol board (high quality smooth art paper).

    It’s A3 size, postage is included, £75.




    tonytranrpg , to random
    @tonytranrpg@dice.camp avatar

    CATS EYE


    csilverman , to random
    @csilverman@mastodon.social avatar

    A grim-faced bald man with a disproportionately large head and tiny legs stands in a dark area, holding a scepter or baton with a smiley face on it. A closer look at the head suggests that this may be rubber mask: the eye looks more like a hole. There is a very real, very red eye behind the mask. This is a primarily monochrome drawing, rendered in shades of black and eerie green.
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    • MichaelWhelan , to random
    @MichaelWhelan@mastodon.art avatar

    Remarque in the Archival Press edition of THE VANISHING TOWER by Michael Moorcock.

    Remarque in brown pencil and some ink featuring Elric down on one knee next to a gnarly and twisted barren tree. As he stares off panel left, he grasps the long black blade of Stormbringer as it stands with tip in the ground. His other hand rests on his knee. Drawn lighter in the background is the head and sinuous neck of a dragon.
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    • tonytranrpg , to random
    @tonytranrpg@dice.camp avatar

    TWIG


    JohnBloor , to random
    @JohnBloor@neurodifferent.me avatar

    We are off on holiday soon to Cornwall (yay!) but this time we are staying near Bodmin so we will be able to access all the ports on the north coast which we haven't been to for years.

    I have got a new lens (28mm) and will be taking photographs for potential prints. All very exciting.

    You can expect more prints like this one, The Rooftops of St. Ives, although I will also be playing around with natural media screenprints and also some abstract prints. So we'll see what comes out.

    csilverman , to random
    @csilverman@mastodon.social avatar

    A three-legged orange entity, somewhere between a creature and a machine, with two horns and an enormous eye-like window in the middle of its body. The entity is in a dark area: at night, or maybe even under the water. A person is visible in the window, operating controls. A glowing green bolt of electricity jumps between the entity's horns. The light from the interior casts a hazy green glow out into the darkness.
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    • JohnBloor , to random
    @JohnBloor@neurodifferent.me avatar

    Here's the print I just printed on Thursday. It is called The Old Lifeboat Station at Lizard. I managed to get 9 good ones.

    £5 from every print sold is donated to the RNLI.

    I am now getting ready for Winchester Print Fair, wrapping up unframed prints and restocking cards and garlands.

    I feel like I'm getting slower and slower at printing. I used to do 12 to 15 prints a year.

    Anyway this autumn I will be able to focus on experimenting with natural media and also some abstract prints. I will be doing fewer fairs than usual in the autumn to allow me to do this.

    csilverman , to random
    @csilverman@mastodon.social avatar

    A tall house on a grassy hill. The front of the house, illuminated by the sunlight, has no windows and only one door, an arched opening. In front of the door stands the small figure of a person. The side of the house, in shadow, has two large, staring eyes looking at the person. Both eyes have an iridescent green glow. The sky is red-orange, with a glowing yellow sun. The building and hill are reddish. A black bird, perhaps a crow or raven, is perched on top of the house.
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    • tonytranrpg , to random
    @tonytranrpg@dice.camp avatar

    DUCK KNIGHT


    SFFMagazineCovers Bot , to random
    @SFFMagazineCovers@zirk.us avatar

    Famous Fantastic Mysteries vol. 13, no. 4 (June 1952)

    This is wild! I particularly like the optical illusion which punishes me for looking at her cleavage by making it into a skull.

    Somehow that axe has been handed down through time, I'm guessing?

    Original magazine: https://archive.org/details/Famous_Fantastic_Mysteries_v13n04_1952-06

    In the background, a Viking holding an axe; in the centre a woman seen waist up whose dress and hands, held in front of her carrying a similar axe, form the illusion of a skull. In front of both these, an anguished looking man carrying the same axe. Famous Fantastic Mysteries magazine cover from 1952. Famous Fantastic Mysteries vol. 13, no. 4 (1952/06).
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    • + Tim_Eagon
    csilverman , to random
    @csilverman@mastodon.social avatar

    A bright yellow background, and a glowing white sun. In the foreground, a blue figure walks, seemingly covered by a ghost-shaped night sky. The figure is set against the night sky, which is dark blue, has a crescent moon, and is covered with stars. It looks as though the night is a cloak that the figure is wearing during the day. (I realize this person looks like Dr. Manhattan and it is not Dr. Manhattan.)
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    • dinodehaas , to random
    @dinodehaas@mastodon.art avatar

    frog of da week!!

    KarenKasparArt , to random
    @KarenKasparArt@socel.net avatar

    Who ... me...?

    Handmade pencil drawing of a Highland cattle loocking backwords - find it here:
    https://karen-kaspar.pixels.com/featured/highland-cattle-looking-backwards-pencil-drawing-karen-kaspar.html

    Highland cattle looking backwards is a detailed pencil drawing showing a shaggy highland cattle with distinctive horns and the typical long-haired fringe above the eyes. Its shaggy coat and distinctive hairstyle give it a characteristic appearance, suggesting the animal's robustness and adaptability to harsh climates. The animal is standing in a meadow and can be seen from behind. It has its head turned backwards and is looking back towards the viewer. The drawing is part of my series consisting of four different pencil drawings of highland cattle. The pictures are beautiful individually, but also complement each other perfectly on the wall to form a complete work of art. All four pictures can be found in my Collection of Animal paintings.
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    • + Krisss
    MichaelWhelan , to random
    @MichaelWhelan@mastodon.art avatar

    WITH FRIENDS LIKE THESE (1977)
    Acrylic on Illustration Board - 20" x 16"

    A classic cover for the anthology of the same name by Alan Dean Foster featuring a young Mr. And Mrs. Whelan as the farmer and his wife. The son is based on the boy in the story.

    https://www.michaelwhelan.com/galleries/with-friends-like-these/

    Book cover for WITH FRIENDS LIKE THESE by Alan Dean Foster, published by Del Rey.

    At a kitchen table surrounded by aliens, a man in overalls and white shirt with sleeves rolled up holds up a sugar cone topped with chocolate ice cream. He stares knowingly at the camera with mouth cocked in a dimpled grin. Behind him, a woman in apron nervously offers an ice cream to a creature with purple fur and horns on its head. In the foreground right, a lobster-red insectile alien stares down in surprise at his dripping treat. The last alien, bulky and green with bulbous head and tiny red eyes, extends its bumpy pink tongue from pronounced mandible in a long slurp. In one of its four hands, it holds a tiny cookie from the plate set on the table between guests. Seated in the foreground left with back angled toward the audience, a human boy, distracted from his dessert by the oddball affair, seems enthralled by the visitors. The background is a haze of bright yellow with white highlights defining an arched window.
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    • + Tim_Eagon
    vmaderna , to random
    @vmaderna@mastodon.art avatar

    Added these two new prints to my Inprnt!

    My store: http://inprnt.com/gallery/vmaderna

    Print of a bear painting by Victoria Maderna.

    ashenwave , to random
    @ashenwave@mastodon.art avatar

    The Light Sea

    • Specimen N1-

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