Make a thread once a week with upcoming releases that week (maybe highlight ones that are >= 80% on RT in the title)
Maybe make a separate thread, like once per day, for ones with >= 80% RT?
Personally for me, I feel like I would prefer to have separate threads for highly-rated movies; I feel like the generic amalgam of what's-coming-out probably won't be as useful / popular as separate threads for individual good movies that are coming out.
Good question, I hadn't been thinking about it. For the moment, I just have a look at /r/movies, usually they have 3 threads about the most popular movies, I usually replicate one or two.
Separate threads for highly-rated movies probably makes sense, but there is for instance a good example with the latest Bad Boys which has 64% Tomatometer vs 97% audience score: https://www.rottentomatoes.com/m/bad_boys_ride_or_die
Interesting... I wasn't planning on dealing with that kind of disparity (because by the time it's released and it has an audience score it's already dropped off the upcoming-releases radar). But maybe if a movie has a high tomatometer and doesn't have a thread yet, it makes one?
Sounds great. There's a slight issue with different dates in different territories (Coppola's latest hasn't got US distribution the last time I checked, for example) or films that get released in festivals long before it appears in cinemas.
Right now I am just scraping the IMDB and RT public-facing pages -- there is an API for both, but they're both behind some sort of weirdness that I don't feel like dealing with. (Side note when did the internet get so frickin weird? I expected IMDB to be, IDK, open. Hey look -- "Since 1998, it has been owned and operated by IMDb.com, Inc., a subsidiary of Amazon" dude fuck the modern internet this is a bunch of crap)
Anyway
Be that as it may, I think just to have something that fires up once a week, figures out release schedules and schedules posts for the coming week, and then if something weird happens and it breaks because it's based on HTML parsing crap, then it won't be a huge inconvenience to fix it. That would be my feeling. Unless you know of a better place to grab the data from?
And yeah different release schedules for different countries is an issue, they're pretty different sometimes and making it just be US-centric doesn't sound like the way. I hadn't really gotten to tackling any of that because I didn't know what to do... but now thinking about it, here's what I think:
There's a weekly "upcoming releases" post. A place to start for that could be having a list of everything coming out for the coming week or two for each of a few major regions. So you can skip to your region and see what's going on. Then, for each release, it has a link to the most recent comments thread relating to each movie, and a link to the RT page and what the RT rating is.
If there's a movie that's coming out that doesn't yet have a thread discussing it, and it's above a certain score threshold on RT, then it makes one. That way there's always some kind of thread that it can link back to.
Side note, apparently RT is saying there's a "Run Lola Run" theatrical re-release coming soon, but the current design wouldn't post it, because it's not listed on IMDB with a release date. I wasn't planning on addressing that for any kind of first cut but if that kind of thing happens often it might be worth addressing in some fashion; that's honestly more interesting to me than most of the actual new releases this month.
There’s a weekly “upcoming releases” post. A place to start for that could be having a list of everything coming out for the coming week or two for each of a few major regions. So you can skip to your region and see what’s going on. Then, for each release, it has a link to the most recent comments thread relating to each movie, and a link to the RT page and what the RT rating is.
I like the idea, but which link would you use in this scenario, to make sure that people can access it whatever their instance? https://lemmyverse.link/?
If there’s a movie that’s coming out that doesn’t yet have a thread discussing it, and it’s above a certain score threshold on RT, then it makes one. That way there’s always some kind of thread that it can link back to.
This sounds like a great plan to me. I definitely don't want to make separate threads for films that no one is interested in, so hilighting anticipated films is perfect.
There’s no character in Joe Dante’s Gremlins more beloved than Randall Peltzer (Hoyt Axton), a struggling inventor from small-town Kingston Falls who travels the country bearing a great sales pitch (“I make the illogical logical”) and a bunch of products that keep backfiring on him.
Yet when Randall comes home for Christmas, he’s greeted to a hero’s welcome from his son, Billy (Zach Galligan), and his wife, Lynn (Frances Lee McCain), who laments that her husband’s inventions only work well for a couple of weeks, but never seems disappointed by him.
It takes absolutely no time at all for Billy and the family to violate all those rules, which result in the mogwai first multiplying into mischievous clones and then cocooning like the xenomorphs in Alien, later emerging as scaly, malevolent beasts hellbent on destruction.
A sequence like Lynn fighting off a gremlin assault in her kitchen with a knife, various Peltzer appliances and a microwave is shot like a straight-up horror movie, but is hilariously gooey fun, a gateway for kids to experience what it’s like to be shocked into cathartic laughter.
Other scares are owed mostly to Dante’s skill as a film-maker, like a science teacher who tries to assuage a hiding gremlin with a candy bar and nearly loses an arm, or that awful Mrs Deagle getting catapulted out of her second-story window.
The film leaves the audiences with warnings about the follies of man (“You do with mogwai what your society has done with all of nature’s gifts,” scolds its elderly Chinese keeper) and the “gremlins” that create havoc in our machines and other parts of our life.
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It was actually their festival streaming I caught! My friend ordered the service and had a massive watch party at her place all weekend, we saw like seven movies. :)
Hang on each tile for a beat, and it will start playing a clip from the show or movie while offering users a text description along with more info, like the total runtime.
Netflix’s senior director of product experience, Pat Flemming, told Gizmodo the streamer wants to make navigating around the app far easier and cleaner.
He said that in Netflix’s product research, they found users were doing “gymnastics with their eyes,” where they had to look all around their screen for each show or movie’s description, trailer, ratings, and so on.
The “New and Hot” tab will still appear in the mobile app, but Netflix hopes the new version will simplify things enough that it can cater to folks who have no idea what they’re about to watch each night.
Will Netflix eventually add more tabs like “Sports” and “Games” to the top bar to go along with “Shows” and “Movies?” That’s “TBD,” Flemming said, though he said, “you’re thinking about it in a very intuitive way.”
The new app version is being tested by a select few subscribers who will offer feedback before Netflix thinks about pushing the update more broadly.
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Lumberjack the Monster is a significant release, because it represents the first out-and-out horror movie that Miike has made in a decade, having spent the intervening years dabbling in other genres.
I only knew about it because I saw a tweet from a guy who had discovered it by accident and couldn’t understand why Netflix hadn’t made more noise about it.
As it stands now, Buster Scruggs has the feel of a weird little outlier in the Coens’s filmography; a funny little almost-film that came and went without leaving any splash at all.
No wonder Doug Liman threw such a tantrum when Amazon told him that Road House would go straight to streaming.
When it was released in 2018, The Other Side of the Wind was hidden away in a submenu, buried beneath no end of romcoms and reality shows.
That means Takashi Miike will get the reception he deserves, and lots of unsuspecting subscribers will get to watch a Japanese-language movie about a brain-stealing serial killer.
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Mars Express - Really enjoyed this one. Like Scavengars Reign and Blade Runner had a baby.
Manjummel Boys - Almost lost me with some corny intro stuff, but it picked up quickly after that and turned out really enjoyable.
Boy Kills World - I read "action movie fever dream" in the description and went for it. Story is a bit flat (it was based on a short film, so whatever) but the fights were pretty awesome, with equally awesome cringe-worthy gore (if you're into that)
Civil War - I really appreciated the level of ambiguity in the movie, as it forced me to focus on the experience of the people in the story. Ultimately it doesnt really matter who the bad guys are, war is hell.
So I'm not sure I've got a solid answer to this (as in there isn't a film that I didn't really appreciate while young but have come to really connect with as I've aged).
But off the top of my head, the most obvious answer, strangely, is the LotR trilogy.
Not that I appreciate more now than I did then. I was a book fan before the films and have liked them since.
But as I've aged, I've come to appreciate more some of the core ideology that Tolkein put into the story in ways I probably didn't really notice that much when I was younger, at least not explicitly.
The way in which Sam is the actual hero of the story and Frodo actually fails ... the whole idea of putting the literal "little people" of the world (including Eowyn, a woman in a patriarchal story/world) front and center and turning them into the heroes, not because of their supernatural abilities (unlike cough comic book films cough), but because of their values and courage ... having corruption of "the hearts of men" being a major source of evil ... having people who are machine loving rather than nature loving being a major source of evil (Saruman and Sauron are the industrialists of Middle Earth) ...
Sometimes I think back on these things and the story and each time I'm just kinda struck by how much I'm like "fuck yea" for a 70 year old novel I first enjoyed as a 13 yr old.
Just finished Godzilla x Kong last night after 3 attempts at watching it. I fell asleep the first 2 times because I've been very busy and was too exhausted come evening. It was fun watching all the monster fights as usual, but everything else was just a mess of storytelling and felt like random lore thrown in to tie thing together.
I'm watching Civil War this week when I have the time.
As for TV, I finally watched the last episode of Sugar after 3 weeks of not being able to catch the finale. It was ok, but not good or bad or anything. I thought it was gonna be a one-off thing but it looks like they intend to have another season at least. Also started the first 2 episodes of Dark Matter but haven't had the time to continue yet.
It was fun watching all the monster fights as usual, but everything else was just a mess of storytelling and felt like random lore thrown in to tie thing together.
Yes, I was left with the feeling that this was very much a kid's movie (despite the only audience when I went was me and another middle age bloke watching it on his own) when earlier outings didn't feel that way. I can feel my interest in the franchise waning considerably, at a time when the Japanese version just keeps getting better.
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