HD 560S for the cans. For my source, I use spotify, using my local library of FLACS for the stuff I like a lot, and just normal spotifly for everything else.
I've got speakers for every occassion. Several in-ears, over ears, monitor phones, Bluetooth speakers, and main amp and stack. Because of this it all sits in that top of middle range to bottom of high range, else I'd be broke.
Well, I don't bother with lossless anymore outside of my own production. Not everything in the house is hooked up to EQs and I'm not hauling them out everytime I play music. So it's almost pointless these days.
Car mostly now. 2.5” Pioneer dash speakers, 6.5” Polks and 6.5” Kenwoods, 10” Pioneer sub and monoblock amp. About a million times better than any upgraded audio system in a new car. Crystal clear audio, very tight controlled bass. It’s sublime.
Otherwise in the house from Apple Music Lossless through the Sonos Arc+sub gen 3+ surrounds and HomePod minis, very rarely through the home theater Atmos syste (Yamaha TSR-700 and Onkyo fronts and sub, and Niles in ceiling surrounds).
I’m a firm believer in not wasting money on expensive amps and gear for marginal gains (pardon the pun). I went to school for audio engineering and have mixed on $100K speakers. They sounded phenomenal but I have more fun in my car with its ~$600 system than anywhere else. Audio is very psychoacoustic. When you’re groovin’ the system almost doesn’t matter.
A technics changer or linear tracker. I think the changer has a shure cartridge still but the linear tracker has an at. Sometimes through a pair of numark ttxs with m447s and a rane.
I really wanted to like symfonium (even tho its not open source), bc it is a beautiful client, but it is a battery hog. I had to go back to ultrasonic.
I listen to music mostly on my computer and in the car. The car system is nothing special. I listen through either some ATH-M40fs cans, or Presonus Erie 3.5 monitors, which are honestly glorified bookshelf speakers, but decent for the price, IMHO. All running from my (older gen2) Focusrite 2i4 interface.
I used to listen in the train/metro/bus a lot more, but I now work remotely. That’s where I used Bluetooth stuff. No need to worry about the cable getting stiff in the cold or stuck in my winter jacket. I had a pair of Beats Studio 3 I paid less than $100 for that were pretty decent for the price I paid. The sound was as bass heavy as you’d imagine from the brand, but not terribly overpowering for casual listening, and the ANC in particular was pretty impressive. I also had some Anker wireless earbuds I got with a coupon on Drop (formerly Massdrop) that were good enough for listening to podcasts and having background music.
In terms of platforms, YouTube Music mostly, and a hand picked selection on Plex for stuff that’s not on there or that I want to have always available. The music discovery algorithms are completely useless for me though. It’s the one thing Spotify did better than YTM for me. The “My Mix” playlists and artist radios have been pushing me the same artists for months on end now. Want to know the ironic part? I discover most of my music on YouTube (not Music) nowadays…
Honestly as far as cheap small monitors go, I really don't mind the Eries. They're not perfect for sure but they give a generally balanced sound and I paired them with a nice mackie sub to get pretty decent frequency coverage. Certainly perfectly decent for producing a variety of music and generally for listening to things.
I’d put them in that gap between general purpose computer/multimedia speakers, and “proper” monitors. That product range used to be a pretty terrible place to be in, but these surprised me for sure. They’re flat-ish enough that I don’t feel like I’m shooting myself in the foot using them for light production work. The bass is indeed not quite it, but what can we really expect from drivers that size. I don’t have great experience using subs for production, but that’s probably me. They’re surprisingly good for the price point and form factor, at the very least.
Yeah I think flat enough is the right phrase. Their bass is definitely lacking but with a well configured sub (I set the crossover at about 80Hz I think) you can compensate. My only feeling about producing with a sub is unless you're in a very well acoustically treated room, it's worth checking your mix on good headphones and a few sets of speakers to make sure your interesting sub bass parts are actually coming through nicely. They are good though to really work out what's going on in the sub frequencies of your mix. Also makes it really obvious when those areas are getting muddy.
I buy it if I can find it on a platform where the money is actually going to the musician. Then, I upload it in CD quality FLAC format to FunkWhale, and also add it to the SD card in my DAC (a Shanling Q1). Where it's convenient I listen on the DAC, where it's not I stream through FunkWhale.
Best streaming sound available but I had some skipping issues even on very good connections and options for auto Playlist generation and new music discovery was way behind other services. Great if you always knew exaewhat you wanted to hear, but I went to Tidal and their focus on quality is better than most other services but the music discovery algorithms really are quite good, I find myself more eager than ever to tune in to a streaming service.
I have converted all my CDs to FLAC and I mostly listen to my music collection in stereo speakers instead of headphones because I find the sound more natural. I have built my sound system around the moOde audio software.
I dabble with YouTube Music and music-map.com for music discovery
Haven't found a nice self hosted music streaming setup that I'm happy with (unsatisfied with the apps and features). I want a nice looking app (super subject of course) that supports offline play and ReplayGain. I'm super happy with Navidrome but not with the Windows/Android apps