eclectech , to random
@eclectech@things.uk avatar
RolloTreadway ,
@RolloTreadway@beige.party avatar

@eclectech I'm sure Tony Hart would be very impressed!

eclectech OP ,
@eclectech@things.uk avatar

@RolloTreadway Hehe, thank you! 😃

sysop408 , to random
@sysop408@sfba.social avatar

There's a photography technique I use that I never see anyone else do so it's time I share it. I use it to capture action shots of people... typically dancing.

Most people would handle these situations by zooming in, spraying and praying, or being exceedingly patient for that ONE shot to materialize.

Those strategies were too unreliable for me so I learned to move with my subjects.

I pre-focus the lens for a set distance, wide-angle, full manual, and set the camera against my cheek. I move the camera only by moving my feet. If my subject twists, I twist. If they step toward me, I step back so they stay in focus.

Because I’m not using any viewfinder, my peripheral vision is good. You immerse yourself in the scene. When it feels right you shoot blind. With practice, your shots will line up.

You obviously will need good balance and confident footwork for this. I'm reaching back on years of Shaolin Kung Fu. If you've done dance or martial arts, you can get the hang of this.

Two women dancing in front of a stage looking at each other with their arms raised. One woman has her back turned and one woman's jubilant face is visible.
In a darkened dance hall a man and a woman perform ballroom dance moves. The man is facing away from the camera. The woman is in the middle of a spin move and her hair is flying through the air.
A man and a woman in the middle of a darkened dance hall execute a spinning dance move.

sysop408 OP ,
@sysop408@sfba.social avatar

Movement strategies have always been a key asset in my techniques.

I was a physiotherapist and did . Understanding how humans moved was a chunk of my life. I developed camera techniques to leverage that background.

I use my legs to position the camera. This isn't "zooming with your feet." It's more like being a human tripod or camera rig. Putting your whole body into the camera makes it easier to keep the lens steady, get set, and then reset for unexpected action happening.

Here's a shot a friend took of me taking a photo with other photographers. I'm the guy in the classic Kung Fu/Tai Chi "horse stance" squat.

Which one of us three is best situated to quickly react if something exciting happened off camera? Much of the way I shoot comes from classic Kung Fu... questionable for fighting, but great for photography.

I'm not suggesting you need to learn Kung Fu to be a better photographer, but to be physically creative with movement strategies you already know.

ALT
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  • dymaxion ,
    @dymaxion@infosec.exchange avatar

    @sysop408
    There are worse reasons to learn it

    eclectech , to random
    @eclectech@things.uk avatar
    newmexiconomad , to random
    @newmexiconomad@mstdn.social avatar
    Sheril , to random
    @Sheril@mastodon.social avatar

    Every year, students around the world submit videos to a "Dance Your PhD" contest. The goal is to "explain your research through interpretive dance."

    This year's fabulous winner, Weliton Menário Costa, explores kangaroo behavior & promotes diversity. It is, by far, the best I've ever seen.

    Go watch! https://www.youtube.com/watch?v=RoSYO3fApEc

    eclectech , to random
    @eclectech@things.uk avatar
    eclectech , to random
    @eclectech@things.uk avatar

    Week 33 of adding a dancer a week to the and this one answers an important question:

    What would it look like if someone with bendy joint-less arms tried to do big fish, little fish, cardboard box?

    And with that... have a good weekend if you possibly can 😃

    Drawn animation loop. Four planets, nearly white but with a hint of rotating disco ball, sit in a purple sky with twinkling stars. One planet, low in the screen, has the week 33 dancer on it and a rainbow moves around it, led by sparkles. There are three other planets which have the previous 32 dancers standing on them.

    MikeDunnAuthor , to random
    @MikeDunnAuthor@kolektiva.social avatar

    Today in Labor History May 28, 1912: Fifteen women were fired from their jobs at the Curtis Publishing Company, in Philadelphia, for dancing the Turkey Trot. They were on their lunch break, but management thought the dance too racy. The Turkey Trot was a fast dance, generally danced by the members of the youth counterculture, to ragtime tunes, like Scott Joplin's Maple Leaf Rag. The Vatican denounced the dance. Conservatives tried to get it banned. Some dancers were fined by the courts for “disorderly conduct.” In 1913, a conservative reaction song was produced called the Anti-Ragtime Girl. In 1963, Little Eva (of Locomotion fame) recorded a tribute to the Turkey Trot called Let’s Turkey Trot.

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  • Boerps , to classicalmusic group German
    @Boerps@nrw.social avatar

    @classicalmusic
    Heute ist International Dance Day.

    OperaVision feiert ihn mit sieben Werken von fünf Choreographen aus fünf europäischen Ballettkompanien.

    10:00 CET – Polish National Ballet

    13:00 CET – Live Q&A with Antonio Lanzo
    Instagram @operavision.eu

    16:00 CET – Ballett am Rhein

    17:00 CET – Royal Swedish Ballet

    19:00 CET – Lviv National Opera

    21:00 CET – Opera Ballet Vlaanderen

    https://operavision.eu/theme/international-dance-day

    Boerps , to classicalmusic group German
    @Boerps@nrw.social avatar

    @classicalmusic
    le Ballet Opéra national du Rhin

    Alice

    Amir Hosseinpour et
    Jonathan Lunn

    https://www.france.tv/spectacles-et-culture/theatre-et-danse/3839467-alice.html

    Boerps , to classicalmusic group German
    @Boerps@nrw.social avatar

    @classicalmusic
    Luigi Boccherini - Quintett Nr. 4 D-Dur

    Alexander-Sergei Ramírez, Gitarre
    Brigitte Krömmelbein, Violine
    Pierre-Alain Chamot, Violine
    Nina Arnold, Viola
    Gudula Finkentey-Chamot, Violoncello
    Miguel Ángel Espino, Tanz

    https://www.youtube.com/watch?v=BVKs7xIzERs

    NikaShilobod , to AcademicChatter group
    @NikaShilobod@fediscience.org avatar
    Boerps , to classicalmusic group German
    @Boerps@nrw.social avatar
    Passamezzo , to histodons group
    @Passamezzo@mastodon.social avatar

    Some for :
    Three anonymous wintry melodies from & Britain. In the fields in frost & snow - On the cold ground - Long cold nights.
    Alison Kinder: bass ,
    Eleanor Cramer: bass viol
    Richard de Winter: drum
    Tamsin Lewis: Renaissance
    Richard Mackenzie:
    https://www.youtube.com/watch?v=epun4iixbe4&ab_channel=Passamezzo
    @histodons @earlymusic

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