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scottfgray

@scottfgray@dice.camp

9th-level layabout, vindictive good. He/him. Markedly left wing. RPGs are inherently political. Orcs are racist AF. #Vaccinate #BLM #TLM #AbortionIsHealthcare

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slyflourish , to random
@slyflourish@chirp.enworld.org avatar

Coming August 6th on Kickstarter! The City of Arches – A high fantasy city sourcebook for Lazy GMs!

Sign up to be notified and tell your friends!

https://www.kickstarter.com/projects/slyflourish/the-city-of-arches-a-high-fantasy-5e-rpg-city-sourcebook

scottfgray ,
@scottfgray@dice.camp avatar

@slyflourish This looks pretty cool.

scottfgray , to random
@scottfgray@dice.camp avatar

Anyone making bullshit kneejerk accusations of AI use against artists working on the new D&D books can seriously go fuck themselves. I am so done with this shit.

https://www.facebook.com/KaterinaLadon/posts/pfbid0Ytjzc2jZoVn1hsyNQseca3tcAzMiwpYApfw5YBEqSamshTvZEY6gpZEc2dc9BrbCl

Tim_Eagon , to random
@Tim_Eagon@dice.camp avatar

This morning, as I was laying on the couch watching my son draw, I was reading a review of an #OSE adventure by Bryce Lynch. While criticizing florid prose, he wrote "Adventure writing is technical writing and has a different set of rules for how to present information." I'm inclined to agree with this statement, even though I've never really thought about it in those terms. Thoughts?

#TTRPG

scottfgray ,
@scottfgray@dice.camp avatar

@Tim_Eagon Adventure writing, like all RPG writing, has to contain a fluid mix of technical writing and story writing — which is why RPG writing is as difficult as it is. I don’t think there’s any secret trick about how much of each type of writing an adventure needs in order to be well-written. It’s more about making sure that the story writing doesn’t occlude the technical content, and that the technical writing doesn’t obscure or minimize the story.

scottfgray , to random
@scottfgray@dice.camp avatar

Shiny!

I am hugely enamored of the updated dragon designs, which kick several kinds of ass.

https://www.gameinformer.com/2024/05/14/the-art-of-the-new-dungeons-dragons

scottfgray , to random
@scottfgray@dice.camp avatar

“This machine kills AI.”

scottfgray , to random
@scottfgray@dice.camp avatar

On the Insane Angel Studios blog! The shortest distance between two points in a campaign is always a straight line — but what can you do when the players and characters decide to take a more circuitous route?

https://missivesfrommooncastle.blogspot.com/2024/04/going-in-all-directions.html

scottfgray , to random
@scottfgray@dice.camp avatar

A new design diary talks about lineages, how your choice of lineage traits shapes your character’s relationship to their line, and how the CORE20 system mysteriously inspired another system entirely.

Awesome worldborn concept art by @Kayandp

https://core20rpg.wordpress.com/2024/03/15/first-of-your-line/

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  • scottfgray , to random
    @scottfgray@dice.camp avatar

    This is Hasbro CEO Chris Cocks talking about the amazing opportunities to use AI in D&D and Magic: The Gathering.

    I would very, very, very much like Chris Cocks to fuck off straight into the goddamn sun.

    https://venturebeat.com/games/how-hasbro-is-jumping-on-the-game-opportunity-chris-cocks-interview/

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  • scottfgray , to random
    @scottfgray@dice.camp avatar

    The is a new approach to d20 fantasy, built on a foundation of freeform characters with no classes and no levels. It turns the aging “pass/fail” core d20 mechanic into fuel for shared storytelling — and you can play it right now!

    https://core20rpg.wordpress.com/the-core20-playtest/

    1/

    scottfgray OP ,
    @scottfgray@dice.camp avatar

    More than just a preview, the public playtest package for the includes the full “Playtest Player’s Guide” and “Playtest Magic Grimoire” — the entirety of the player-and-GM-facing rules of the game — plus a 180-strong creature package and guidelines for GMs. Game on!

    2/2

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  • scottfgray , to random
    @scottfgray@dice.camp avatar

    Time is a complete dick.

    Tim_Eagon , to random
    @Tim_Eagon@dice.camp avatar

    I'm fascinated by stars getting relatively close to our solar system (and by relative, I mean penetrating the Oort Cloud), something I just learned about the other day.

    #astronomy

    scottfgray ,
    @scottfgray@dice.camp avatar

    @Tim_Eagon That sounds like something that would be very bad.

    scottfgray , to random
    @scottfgray@dice.camp avatar

    Oh, hell yeah.

    scottfgray , to random
    @scottfgray@dice.camp avatar

    At Winter Fantasy. Played my first at-table game (as opposed to playing online) in ages. Needed to cough at one point. Started instinctively looking around for the mute button.

    scottfgray , to random
    @scottfgray@dice.camp avatar

    The is a new approach to d20 fantasy, built on a foundation of freeform characters with no classes and no levels. It turns the aging “pass/fail” core d20 mechanic into fuel for shared storytelling — and the public playtest is on right now!

    https://core20rpg.wordpress.com/the-core20-playtest/

    1/

    scottfgray , to random
    @scottfgray@dice.camp avatar

    I feel like the CEO-bonfire turbine is the exact breakthrough energy source the world needs right now.

    scottfgray , to random
    @scottfgray@dice.camp avatar

    Jennell Jaquays gave so, so much to the fantasy TTRPG hobby and industry, from the very beginnings of both. Even if her name isn’t on the game you play, even for gamers who’ve never heard her name — say a quiet thank you tonight for all she did.

    https://www.dicebreaker.com/categories/roleplaying-game/news/jennell-jaquays-dungeons-and-dragons-designer-obituary

    scottfgray , to random
    @scottfgray@dice.camp avatar

    I’m reading the new “Lore & Legends,” and every time “D&D” appears, the too-small ampersand and the off-center kerning make me apoplectic.

    scottfgray OP ,
    @scottfgray@dice.camp avatar

    An urgent update to this previous post! “Lore & Legends” is now presenting “D&D” both with the small-caps ampersand and the full-size ampersand. Occasionally in the same paragraph.

    The questionable kerning continues.

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