bibliolater , to Medievodons group
@bibliolater@qoto.org avatar

From the manuscript to you: How Old Norse manuscripts are read and edited

"A case-study in how a page from an Old Norse manuscript (in this case the Codex Regius of the Poetic Edda) is edited for publication in a modern-day book. Manuscript images from the Árni Magnússon Institute at the University of Iceland (handrit.is)."

length: Thirty minutes and fifteen seconds.

https://www.youtube.com/watch?v=N7KYyj8ed94

@poetry @medievodons

KentNavalesi , to AcademicsUnite group
@KentNavalesi@c.im avatar

Loving the commentary on academic publishing at the end of this review (Speculum, April 2018).

@academicchatter @academicsunite

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  • mhbastian , to AcademicChatter group
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    pomarede , to random
    @pomarede@mastodon.social avatar

    Fabulous. I mean F.A.B.U.L.O.U.S. cover revealed for the relaunch’s inaugural issue of Worlds of IF, featuring Bob Eggleton's artwork.

    ➡️ https://instagram.com/p/C3GE_3jxyt6/
    ➡️ https://file770.com/tag/austin-conrad/
    ➡️ Subscribe for updates and get more insights on this project at https://worldsofifmagazine.com

    CultureDesk , to bookstodon group
    @CultureDesk@flipboard.social avatar

    A great editor can identify plot holes and missing motivation, help make readers care more about characters, and much more. For Crime Reads, novelist Otho Eskin tells the story of his editor, the late Richard Marek, who helped bring more than 300 books into the world, including Ernest Hemingway’s "A Moveable Feast," James Baldwin’s "If Beale Street Could Talk" and Thomas Harris’s "The Silence of the Lambs."

    https://flip.it/CqRDQ7

    @bookstodon

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