Hi, folks! I've got a set of nano-reviews up at Nerds of a Feather!
Live Long and Evolve: A non-fiction book by an evolutionary biologist about what life on other planets might look like, charmingly interwoven with relevant Star Trek lore.
The Extractionist: a very Cyber futurist heisty type book, which I found well constructed but somehow dull
THe Frame-Up_Magical art thieves. Perfectly fine, but not special.
10 authors, of whose books I've read at least five:
Ursula Le Guin
Kim Stanley Robinson
Octavia Butler
N. K. Jemisin
Becky Chambers
Iain M. Banks
Martha Wells
M. R. Carey
Lois McMaster Bujold
Vonda McIntyre
Martha Wells
Ben Aaronovitch
James S. A. Corey
Nathan Lowell
Naomi Novik
Jonathan L. Howard
Adrian Tchaikovsky
Jim Butcher
Charlaine Harris
Ian Tregillis
10 authors, of whose books I've read at least five:
Terry Pratchett
Brandon Sanderson
Neil Gaiman
Piers Anthony
Brian K. Vaughan
Warren Ellis
Garth Ennis
Kieron Gillen
Bryan Lee O'Malley
Matt Fraction
Gosh that was harder than I thought it would be. I felt like using #GraphicNovels might be cheating but I guess I don't read a ton of longer series otherwise.
C.S. Lewis
John Christopher
John Scalzi
John Wyndham
Kurt Vonnegut Jr.
Lloyd Alexander
Madeleine L'Engle
Philip K. Dick
Poul Anderson
Ursula K. Le Guin
Most of my sketches for this cover dealt with the interrelationship between the protagonist Killashandra and the black crystals she has a special affinity for. 1/4
THE MAN WHO COUNTS (1977)
Acrylic on Masonite - 30" x 20"
At first glance, tackling the cover art for the reissue of an an old-fashioned SF novel would seem like a boring job for a new illustrator hot to conquer the field, but I looked at reissues as a challenge. I had to outdo whatever was on the original cover so that a new generation of readers would buy it. 1/3
LEGENDS: THE GUNSLINGER (1998/2000)
Acrylic on Watercolor Board - 36" x 24"
Stephen King doesn't describe the tower in the early books of the Dark Tower series, but many of the main characters experience dream visions of the object of their quest. 1/3
Karen Joy Fowler: Cory told me that you, and I quote, "knocked it out of the park" last week.
Me: (flustered) Uh … I … well, I, uh, wrote a story I thought he might like. As I did with Bob … I mean, I don't TAILOR my stories to each instructor but–
KJF: –but you thought @KellyLink and I would enjoy a story about eating children?
Me: Uh …
Anyway, the story that @pluralistic liked is in ParSec #10 today:
Finished another Hugo nominee and, while I have two more to go, I have a hard time believing it will be topped. Emily Tesh's “Some Desperate Glory" does a lot of things very well. In particular it’s a skilled subversion of military SF, deals with a slew of difficult topics (as covered in an extensive content warning), has solid unexpected twists, and, as much great SF is, is more about now than any imagined future.
Was out today and had unexpected free time but no book!
I opened my @omnivore app on my tablet and read the short story "The Mausoleum's Children" by @aliettedb in @UncannyMagazine. It was so good!! I'm so glad I discovered both the story and the magazine here. Moral of the story - do your best to always have something good to read!
WITH FRIENDS LIKE THESE (1977)
Acrylic on Illustration Board - 20" x 16"
A classic cover for the anthology of the same name by Alan Dean Foster featuring a young Mr. And Mrs. Whelan as the farmer and his wife. The son is based on the boy in the story.
STONE OF FAREWELL (1989)
Acrylic on Canvas - 21" X 46"
The main problem in doing what is called a wraparound cover-cover art that wraps around from the front to the back of the book-is in trying to avoid pieces that look like 2 different paintings stuck together. 1/4
I've finished: The Memory Theater by Karin Tidbeck
Something's rotten in paradise.
Tidbeck weaves a complicated web stretching across multiple worlds, histories, folk tales and broken utopian dreams that ultimately deals with evil and the power of stories to fight it.
It's interesting to read a sci-fi author from a different culture that also has her own way of interpreting the multiverse and the power of story and imagination.
A post-apocalyptic scenario written by a woman, concentrating on the psychological and sociological aspects of survival. It must stand the test of time better than Niven's Lucifer's Hammer, (That was also published in 1977).
But since the science didn't make much sense, (I didn't see a reason why cloning would have the effects described), I ended up looking at the attributes Kate Wilhelm decided to give clones as opposed to "Humans" and all I see is the American fears about communism.
They lose their individuality, their creativity, the ability to innovate, and for some reason monogamy, (perhaps she was afraid of hippies?).
In 2024, Where Late the Sweet Bird Sang felt more like a historical document that teaches you about the culture at the time of its writing than a Sci-Fi novel.
PS.
An enjoyable aspect: The audiobook narrator, Anna Fields, sound remarkably like Ellen DeGeneres.
Feeling the love for speculative fiction? ❤️ Join in the Locus Awards and vote for the stories that capture your heart and imagination. Let's make our voices heard in this celebration of creativity! 🎉 #SFF#books