Films Frames - Every Frame is a Painting

TheFonz , in Close Encounters of the Third Kind, Spielberg (1977)

Looks like Devil's Tower (WY). Great shot. Btw, this community is the best find on Lemmy! Thank you @lookluc

perishthethought OP ,

It is! That place factors into the story in a big way.

The movie is full of great visually striking scenes and I tried to pick one that was obviously from this film but without spoilers. It was super awesome to see this when it was new in theaters in the 70s.

TragicNotCute ,
@TragicNotCute@lemmy.world avatar

Great movie and still holds up IMO.

perishthethought OP ,

Yes! And it's coming back to theaters in a short while, in the US for sure, not sure about any other countries...

https://www.fathomevents.com/events/close-encounters-of-the-third-kind-2024-re-release/

I'm gonna go see it again then for sure.

niktemadur , (edited ) in Pauline at the beach, Éric Rohmer (1983)

The one album where you can see the title is Bill Chinnock's "Badlands" (never heard of him or it), in the other one I recognize the image, it's Frank Zappa and Captain Beefheart's "Bongo Fury".

lookluc OP Mod ,
@lookluc@lemmy.world avatar

Nice catch!!

lookluc OP Mod , in The Philadelphia Story, George Cukor (1940)
@lookluc@lemmy.world avatar

A great film with three of my favourite actors: Katharine Hepburn, James Stewart and Cary Grant

lemming741 , in Cool Hand Luke, Stuart Rosenberg (1967)

I don't care if it rains or freezes
'Long as I got my plastic Jesus
Riding on the dashboard of my car

abigscaryhobo , in Cool Hand Luke, Stuart Rosenberg (1967)

Wasn't this after he ate like 5 dozen hard boiled eggs or something?

FoxyGrandpa ,

Fifty eggs in an hour

Pencilnoob ,

"No man can eat fifty eggs!"

CrayonRosary ,

That's how Jesus died, which is what his pose is referencing.

HeartyOfGlass , in Mystery Men, Kinka Usher (1999)

Disco is NOT dead! Disco is LIFE.

prof , in The Talk of The Town, George Stevens (1942)
@prof@infosec.pub avatar

He said he was Benedict, but it turns out he was all eggs.

Skullgrid , in SANTANA ABRAXIS (A Serious Man, J&E Coen, 2009)
@Skullgrid@lemmy.world avatar

this film is gold, and one of the most underrated Cohen brothers film.

perishthethought ,

I've never even heard of it and I thought I was a fan. Going to find a copy next.

Tregetour OP ,
@Tregetour@lemdro.id avatar

It's my favourite Coen. The production design and editing are second to none, it's Stuhlbarg's best role to date, and has one of film's greatest minor characters.

ParadeDuGrotesque , in Hardware, Richard Stanley (1990)
@ParadeDuGrotesque@lemmy.sdf.org avatar

With a short cameo by none other than Lemmy Kilmister of Motorhead fame!

hydroptic OP ,

And Iggy Pop and Carl McCoy too!

mihnt , in Hardware, Richard Stanley (1990)
@mihnt@lemmy.ca avatar

weee, cyberpunk (post-apocolypse?) b-movie. I'm down. Thanks for the post.

hydroptic OP ,

You're welcome! And yes, Hardware is exactly that.

Considering the budget was less than a million GBP they did a great job. It's not an Orson Welles flick, but it's fun and often visually interesting – it looks sort of like I'd expect the world of Brazil to look some years in the future and after a nuclear war.

Definitely been one of my favorites ever since I saw it as a teen, and it doesn't seem to be too well known so I'm happy to spread the message

hydroptic , in Nosferatu the Vampyre, Werner Herzog (1979)

Ha, I had no idea Herzog had made a version of Nosferatu

DestroyerOfWorlds , in Asteroid City, Wes Anderson (2023)
@DestroyerOfWorlds@lemmy.world avatar

I did a cut of this movie with only the "Asteroid City" movie and none of the actors, writers, directors, backstories, production cards, or narration. It came out to an exact 80 minutes of a tight (if not sorta bland) movie.

lookluc OP Mod ,
@lookluc@lemmy.world avatar

For me, the film is very bland itself. Aside from the nice backgrounds and aesthetics, the story is very poor. It didn't keep me engaged. I think its a problem with Mr. Anderson itself, his style got the main character of his films, the story is secondary. I noticed it in his last films, especially in 'The French Dispatch'. For me, he created the recipe and the recipe became the problem: the films become bland, the style is there but is almost tiring to watch a film from him, seeing the same techniques and formulas over and over again.

TheFonz ,

I read one reviewer's take AC was an internal critique of his style and sort of a deconstruction of his authorship. It seems many directors today are looking inwards.

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